Jumat, 11 Juli 2014

Free PDF Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater

Free PDF Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater

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Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater

Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater


Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater


Free PDF Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater

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Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater

About the Author

Tom Vater has been working and traveling in Southeast Asia since 1993. He first visited Cambodia in 2001 to document the indigenous minorities in Mondulkiri for the British Library's International Sound Archive. He instantly fell in love with the country. A year later, Tom co-wrote and produced a documentary on Angkor for German-French television, which gave him the opportunity to spend several weeks among the temples. Since then, he has been back in Cambodia several times a year to cover the country's politics and culture for many different publications. On his journeys around the country, he has traveled with kings, pilgrims, soldiers, secret agents, pirates, hippies, policemen, and prophets. Tom is the author of numerous nonfiction titles, guidebooks, and a novel, and has co-written several documentary screenplays for television and cinema. Tom's feature articles, mostly on Asian subjects and destinations, have been published by the Wall Street Journal, The Guardian, The Times, Marie Claire, and many other publications. He is the Daily Telegraph's Bangkok expert. His nonfiction book, Sacred Skin, published with award-winning photographer Aroon Thaewchatturat (who took many of the pictures in Moon Angkor Wat) was an international bestseller. Most recently he published Cambodia: A Journey Through the Land of the Khmer with renowned photographer Kraig Lieb. Tom is also the co-owner of the Hong Kong-based crime fiction imprint Crime Wave Press. Visit his website at tomvater.com.

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Product details

Series: Travel Guide

Paperback: 272 pages

Publisher: Moon Travel; 3 edition (October 2, 2018)

Language: English

ISBN-10: 1640492496

ISBN-13: 978-1640492493

Product Dimensions:

5.8 x 0.6 x 7.8 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#302,828 in Books (See Top 100 in Books)

But it does provide considerable information about various locations in Vietnam - concisely

I’m the kind of person who reads guidebooks to remember where I’ve been as well as to plan my next destination and in Tom Vater’s latest guide to Angkor Wat, I was given the opportunity to do both. From its extraordinary photographs, many of them taken by the author, and its wealth of clear and comprehensive maps, to its generosity in giving more than readers would expect from its title, this isn’t just a good guidebook. It’s an essential handbook to a generous portion of Cambodia, one that’s so well written that it can be enjoyed by armchair travelers as much as it will be used by those lucky devils with Cambodian visas stamped in their passports.The Angkor Archeological Park is one of the most overwhelming places in the world, with beauty and mystery that can hit travelers like a tsunami and cause them to miss so much in order to see it all. Vater knows the temples well, not just the show-stoppers like the Bayon and Angkor Wat, but ones that are farther afield and easy to overlook. His detailed descriptions and careful directions ensure that his readers will see as much as they have time for, while visiting with an informed understanding of what they're looking at.But this book is a guide to more than the temples. Travelers staying in the nearby city of Siem Reap are given not only the basic recommendations for hotels and restaurants, but ones for bookstores and the city’s best swimming pools, for photography tours and the Cambodian version of Cirque du Soleil, the Phare Circus. Vater is frank about which museums are overpriced and which are worth seeing and why his readers can pass up Phnom Kulen.Phnom Penh is covered in scrupulous detail including why it should be visited soon, but for me the best part of the book is the section that takes readers off the well-worn tourist tracks. From the former Khmer Rouge stronghold of Pailin to the spectacular grandeur of Preah Vihear, travelers are told how to get there and why they might want to, except in the case of Pailin, where they’re warned of “fleabag hotels,” and informed that the city ‘is no culinary paradise.”A standout for me in this portion of the book is Battambang, a river city that’s less than three hours from Siem Reap where French colonial architecture coexists with Khmer modernism from the 1960s, where the art scene that was destroyed by the Pol Pot years is being revived, where Angkorean temples are woven into the fabric of daily life, and the original Phare Circus provides education and training to young Cambodians who might not otherwise receive it. With its good coffee, reasonable hotels, and a bookstore too, Battambang may turn out to be my next home in the world. Thank you, Tom Vater and Moon Handbooks! .

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Moon Angkor Wat: With Siem Reap & Phnom Penh (Travel Guide), by Tom Vater PDF

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Minggu, 06 Juli 2014

Download Ebook The Bedbug and Selected Poetry

Download Ebook The Bedbug and Selected Poetry

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The Bedbug and Selected Poetry

The Bedbug and Selected Poetry


The Bedbug and Selected Poetry


Download Ebook The Bedbug and Selected Poetry

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The Bedbug and Selected Poetry

Product details

Paperback: 320 pages

Publisher: Indiana University Press (October 22, 1975)

Language: English

ISBN-10: 0253201896

ISBN-13: 978-0253201898

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#939,793 in Books (See Top 100 in Books)

At twelve years of age Mayakovsky was displaying the extraordinary behaviour which was to characterise his life.In his teens he wore a yellow jacket and proclaimed himself a Nihilist.When he turned himself into a poet he never altered his extraordinary course through life.When he shot himself at the age of 36 Boris Pasternak went to the house where Mayakovsky lay, looked over him and went into a corner and wept.Akhamatova asked by Isiah Berlin if she considered Mayakovsky a great Poet replied no, but added that he was a genius.The Ferociously intelligent Marina Tsvetaeva took Mayakovsky's side when he visited Paris and the Emigre community of Russians shunned him as a Party hack, which he had indeed become. Tsvetaeva saw more in him than this and took his side.In 1921 she had written a short but insightful poem entitled 'To Mayakovsky'it praised him as "my clumsy footed angel" Apart from his time playing the role of 'Party Hack' Mayakovsky defies categorisation.I bought this book when it was originally published in 1960 and cherish it much as I cherish Hart Crane's 'The Bridge'.In 1930 one year before his death in the poem 'At The Top Of My Voice'Mayakovsky showed clearly that he had begun to revert to his previous unorthodox identity.He said clearly: "Agitprop sticks in my teeth too"Mayakovsky knew what he had become; and in 1931 shot himself through the heart.A remarkable poet who for all of his failings was adored by the Russian people.For me he stands amongst the greatest.A.Murphy.

Great poet

Thank you :)

Great poet. Would definitely recommend.

I do appreciate the publishers attempting to make Mayakovsky available in English and Russian. This book features only 13 poems in and a short play, albeit in both original Russian and translated English, but none the less it's just too few. It's a shame how few of Vladimir Mayakovsky's poems and pieces are currently available in English, but then again it has a large amount to do with the intrinsic nature of the poem's beauty belonging solely in its original Russian format. This book, in my opinion, is simply too big and costs too much for the content, unless you get it used. The poems need footnotes to really be understood in both English and Russian because much of it has no meaning without historical and biographical context, much like a T.S. Eliot can't be understood without the guidance of a professor or a very, very specifically educated mind. The editors try to solve this contextual problem with a biographical and era introduction that unfortunately centers more on the too broad scope of the Russian Revolution and the too narrow times of adulations that Mayakovsky received as he impressed more people throughout his time of his fame. I believe there could be more context if we'd learned about the different life stages of the poet and and his struggles specific to each poem, not just how much attention he garnered. The only other book in English publication about Mayakovsky which is very common, When Night Wraps the Sky, tries to tell too much about Mayakovsky's personal life, almost like a boring timeline of facts with intermittent flashes of his poetry in-between that are accompanied by overpowering and as result, blanching commentary by other writers. To conclude, if you want to read Mayakovsky, learn Russian, but if you only know English then this book is your best choice.

Mayakovsky was one of the foremost futurist poets of the early 20th centuary. He wrote anguished (and mildly egocentric) pieces about being alone and unrequited in love. He also wrote political poems that were supposed to moblize the workers and shock the borgeosie establishment. This book is worth buying for the two epics "A cloud in trousers" and "The backbone flute" alone. The other poems are the icing on the cake, sounding off his thundering poetic voice. His final poem, "Past one o'clock.." starkly contrasts the others with it's muted depression. He would include part of it in his suicide note, changing the line "now you and I are quits" to "now life and I are quits." The Bedbug is a savage satire of Soviet society, and (had he not shot himself) would probably have gotten him arrested during the imminent Stalinist purges. After his death, Mayakovsky was lauded by Stalin. His pro-Bolshevik political verses were glorified and proudly shown off by the state, whilst his other poems and satirical plays were quietly supressed. Get this book if you want to see every side of Mayakovsky, and not just the one that has been publicized for years as propaganda.

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Free Download The Weight of Ink, by Rachel Kadish

Free Download The Weight of Ink, by Rachel Kadish

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The Weight of Ink, by Rachel Kadish

The Weight of Ink, by Rachel Kadish


The Weight of Ink, by Rachel Kadish


Free Download The Weight of Ink, by Rachel Kadish

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The Weight of Ink, by Rachel Kadish

Amazon.com Review

An Amazon Best Book of June 2017: I often have trouble staying engaged by literary novels starring characters separated by centuries. But The Weight of Ink hooked me so deeply that at no point did I want to wiggle free of this story of two historians investigating 300-year-old letters written in plague-ridden London by a young Jewish woman with a white-hot intellect and no acceptable outlet for it. British history professor Helen Watt immediately recognizes the historical value of a bundle of rabbi’s letters and books discovered behind the wall of an old house, and she recruits American graduate student Aaron Levy to help her with translations. Months from retirement, Helen hides her Parkinson’s disease, while Aaron struggles with his Shakespeare-focused thesis that’s going nowhere fast and with Helen’s curmudgeonly ways. But when Helen and Aaron realize that the rabbi’s letters were penned for him by a woman, not the typical male scribe, their historical significance skyrockets. As Helen and Aaron’s investigation accelerates, author Rachel Kadish plunges the reader into the smoggy, socially circumscribed world of Ester Velasquez in 17th-century London. A Jewish woman living in a community that doesn’t support thinking in females or speculation beyond the accepted dogma, Ester has survived much tragedy in her young life and now quietly but steadfastly refuses to be squashed further. As plague stalks London, Ester finds ways to let her intellectual passion free despite pressures to marry and be domesticated in mind and soul. Gorgeous writing that might, in isolation of the story, risk coming off as overwrought instead perfectly renders the strong emotions that run through Ester, Helen, and Aaron as they face down opponents and seize opportunities. Kadish, with storytelling genius, mirrors events and eureka moments across the centuries, binding the characters to one another. And an enormously satisfying ending wraps everything up while leaving enough rough edges to mimic the loose ends of real life. --Adrian Liang, The Amazon Book Review

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Review

A USA Today Bestseller Winner of a National Jewish Book Award Winner of the Association of Jewish Libraries Jewish Fiction Award  An Amazon Best Book of the Year One of Ms. Magazine's "Bookmark" Titles One of The Jewish Exponent's "2017's Top Reads" "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion." —Toni Morrison "Rachel Kadish’s The Weight of Ink is like A.S. Byatt's Possession, but with more seventeenth-century Judaism...A deeply moving novel." —New Republic “I gasped out loud…[Kadish has a ] mastery of language…[The Weight of Ink] was so powerful and visceral…Incredible…I haven’t been able to read a book since.” —Rose McGowan, New York Times Book Review Podcast   "Rachel Kadish’s novel The Weight of Ink is my top Jewish feminist literary pick. Kadish’s novel weaves a web of connections between Ester Velasquez, a Portuguese Jewish female scribe and philosopher living in London in the 1660s, and Helen Watt, a present-day aging historian who’s trying to preserve Ester’s voice even as she revisits her own repressed romantic plot.  Both Ester and Helen are part of a long literary line of what writer Rebecca Goldstein has termed 'mind-proud women.'"  —Lilith, "7 Jewish Feminist Highlights of 2017" "So many historical novels play with the 'across worlds and centuries trope,' but this one really delivers, tying characters and manuscripts together with deep assurance. A book to get lost in this summer." —Bethanne Patrick, LitHub "A page-turner. Kadish moves back and forth in time (including an excursion to Israel in the 1950s) with great skill. She knows how to generate suspense – and sympathy for her large cast of characters...packed with fascinating details...The Weight of Ink belongs to its women...Kadish’s most impressive achievement, it seems to me, lies in getting readers to think that maybe, just maybe, a woman like Esther could have existed in the Jewish diaspora circa 1660." —Jerusalem Post     "An amazing feat...A great literary and intellectual mystery...you feel as if you're sifting through these letters yourself...a very immersive summer read." —Megan Marshall, "Authors on Authors" for Radio Boston  "A superb and wonderfully imaginative reconstruction of the intellectual life of a Jewish woman in London during the time of the Great Plague."  —Times Higher Education  "An impressive achievement...The book offers a surprisingly taut and gripping storyline...The Weight of Ink has the brains of a scholar, the drive of a sleuth, and the soul of a lover." —Historical Novel Society  "Deeply satisfying to anyone who enjoyed Geraldine Brooks’ People of the Book...[The Weight of Ink is a] historical epic that transports readers back to the days of Shakespeare, Spinoza and the Great Plague, uncovering some rich details of Jewish life in the 1600s along the way." —Jewish World News "Kadish knows how to create a propulsive plot peopled with distinctive characters. The Weight of Ink has enough mysteries to keep readers turning pages, and a fair amount of thematic and intellectual heft...Rewarding." —The Forward "This astonishing third novel from Kadish introduces readers to the 17th-century Anglo-Jewish world with not only excellent scholarship but also fine storytelling. The riveting narrative and well-honed characters will earn a place in readers' hearts." —Library Journal, starred review “Like A.S. Byatt’s Possession and Tom Stoppard’s Arcadia, this emotionally rewarding novel follows […] present-day academics trying to make sense of a mystery from the past…Vivid and memorable.” —Publishers Weekly "A mysterious collection of papers hidden in a historic London home sends two scholars of Jewish history on an unforgettable quest....Kadish's characters are memorable, and we're treated to a host of them: pious rabbis and ribald actors, socialites and troubled young men, Mossad agents and rule-worshipping archivists. From Shakespeare's Dark Lady to Spinoza's philosophical heresies, Kadish leaves no stone unturned in this moving historical epic. Chock-full of rich detail and literary intrigue." —Kirkus Reviews  "Kadish positions two women born centuries apart yet united by a thirst for knowledge at the core of a richly textured, addictive novel stretching back and forth through time, from contemporary London to the late seventeenth century....Kadish has fashioned a suspenseful literary tale that serves as a compelling tribute to women across the centuries committed to living, breathing, and celebrating the life of the mind." —Booklist "The Weight of Ink hooked me so deeply...Kadish, with storytelling genius, mirrors events and eureka moments across the centuries, binding the characters to one another. And an enormously satisfying ending wraps everything up while leaving enough rough edges to mimic the loose ends of real life." —Adrian Liang, The Amazon Book Review “The Weight of Ink is the best kind of quest novel—full of suspense, surprises and characters we care passionately about.  How thrilling it is to watch the imperious Helen and the scholarly Aaron turn into brilliant literary detectives as they uncover the identity of a woman who lived more than 300 years ago, and how thrilling it is to get to know that woman intimately in her own time.  A beautiful, intelligent and utterly absorbing novel.” —Margot Livesey, author of Mercury "Rachel Kadish draws us deep inside the vivid, rarely-seen world of 17th century Jewish London, conjuring the life and legacy of an extraordinary woman with an insatiable hunger for knowledge and education. A vital testament to the importance of books and ideas, The Weight of Ink unfolds like a revelation.” —Kate Manning, author of My Notorious Life “From its opening pages The Weight of Ink signals its reverence for words, both those from which the narrative is constructed and those which lie at the heart of its story—for this a novel about the importance of words: written and spoken, historical and contemporary, hidden away and brought to light. Rachel Kadish has fashioned a literary mystery spanning centuries, continents and languages; a mystery of great moral stakes and elemental human desires.” —Leah Hager Cohen, author of No Book but the World "The Weight of Ink tells of the struggle and the triumph of a woman trying to do justice to the largeness of her intellect and ambition. As audacious in its conception as it is brilliant in its execution." —Rebecca Newberger Goldstein, author of Plato at the Googleplex: Why Philosophy Won't Go Away “Rarely have I read a contemporary novel that so immersed me in its world and drew me so deeply into the lives of its characters. Rachel Kadish is a brilliant story-teller, with a mystery writer's instinct for pacing and a willingness to take on the largest human questions. The Weight of Ink is astonishing.” —Carol Gilligan, author of In a Different Voice

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Product details

Hardcover: 576 pages

Publisher: Houghton Mifflin Harcourt; 1st Edition edition (June 6, 2017)

Language: English

ISBN-10: 0544866460

ISBN-13: 978-0544866461

Product Dimensions:

6 x 1.7 x 9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

805 customer reviews

Amazon Best Sellers Rank:

#21,008 in Books (See Top 100 in Books)

“The Weight of Ink” by Rachel Kadish lives up to its title in many ways. At 560 tightly-written pages of magnificent prose, this novel can under no circumstances be called “light reading”. Indeed, the only reason I was able to complete it despite the protest of my arthritic hands and aging eyes was because it is unquestionably absolutely enthralling to a person with my specific interests.Those interests include theology and the incredible injustices which dogma-driven society has perpetrated against women, homosexuals, Jews, and others. This book touches on all these aspects, and many more. As the plot summary indicates, Helen Watt, an aging British historian and expert in Jewish studies, is invited by a former student to assist in the evaluation of some manuscripts found during the renovation of a house in a London suburb. Helen, suffering from Parkinson Disease, needs help in studying what she realizes is a treasure-trove of documents, and calls upon a colleague to recommend a post-graduate student to assist. Enter Aaron Levy, a young American secular Jew who has run into a roadblock on his own research attempting to find a “Jewish Connection” in the writings Shakespeare. Helen and Aaron find their collaboration both uneasy and deeply rewarding.Further dramatic tension is provided by the fact that Helen’s ploy of having the college (from which she is about to retire) acquire the documents for conservation and archiving immediately raises the specter of academic competitiveness. It soon becomes obvious that the papers include the writing of Ester Velasquez, the ward of the blind Rabbi Moseh HaCoen Mendes, a Portuguese Jew. Having fled Portugal for the relative safety of Amsterdam after the Inquisition killed his parents and blinded him, Rabbi Mendes has been sent to London to try to assist the struggling Jewish community there. The existence of a female scribe writing in 17th Century London just before plague and then fire decimated the city is remarkable enough. However, as Helen and Aaron continue to delve into Ester’s writings an incredible back-story emerges. This woman was not only a scribe, but a philosopher as well, determined to connect with some of the great – and, in the opinion of most other people of that era heretical – thinkers of her time. As the story weaves back and forth between Ester’s traumas and those of Helen and Aaron as they seek to discover the reality of who this woman was and what she really represented (before being “scooped” by other investigators), great depth and richness of thought evolves.As mentioned in my opening comments, this is not a book I could recommend to someone seeking light or trivial reading. However, it is profound, fascinating and deeply engaging for anyone who is concerned with the fundamental issues Rachel Kadish so brilliantly addresses through the words and thoughts of her extraordinary characters.

This is a beautiful, complex, engrossing, and engaging novel that is more than worth the time it takes to read it. The best part of "The Weight of Ink" is that it doesn't sacrifice readability or character development for the sake of the story, which takes place in both the 1990's and the 1660's. I'm finding that a lot of recent novels that take place in different eras in history try and "mold" their narrative style so they sound like they were either written in that time period or somehow evocative of that time period, and in doing so they turn the book into one long "accent", sacrificing readability for style.Rachel Kadish did none of that- she managed to weave an engrossing story with rich, compelling characters that come to life on the page. And the fact that this is a 576 page novel about documents and correspondence between rabbis and remains more of a page turner than any recent "thriller" is not lost on me.The basic plot: Helen is an aging historian, and near the end of her academic career she's called out to the home of one of her students, after he's unearthed a trove of historical documents during a renovation. Aaron, an American graduate student who is finding his dissertation to be a dead end, is tasked to help her.What they found- and the implications of it- astound them both. Through Kadish's skillful writing, the reader is effortlessly shifted between the worlds of both Helen and Aaron's situations in modern-day London, Israel in the 1960's, London in the 1660's and the characters that inhabit all these worlds.I cannot recommend this novel enough. It's beautifully written, a pleasure to read, and the kind of book that keeps you invested from the first page to the last.

There are long passages in this book, letters written by Ester to the philosophers of her day, in contemplation of the likely impossibility of the existence of God. At one point, Aaron Levy, the present-day scholar, wonders if he is even able to understand her missives.And this is my problem with this good book. The writing was beautiful, but dense and often cryptic; I sometimes had trouble understanding it, and many of the letters and scenes went on for too long.And yet I highlighted 27 excerpts, whether for the beauty of the writing or its resonance.On the very first page, describing Helen Watt: "Hope against reason: an opiate she'd long abandoned." What great characterization. As was the subtle yet plainspoken paragraph alerting us that Watt is very ill. The writing was so beautiful at times, I read it aloud to my husband, savoring the work of a true craftsman.The story progresses along three lines: that of Ester Velasquez, who lives in London, c. 1660; and of the modern-day scholars Watt and Levy. One theme of the book could be "how will you use your life? Will you live it fully or squander it?"-- in self-containment (Watt); the cowardice of the late-maturer (Levy); or by accepting cultural repression of women (Velasquez).As Levy learns about Velasquez having to hide her intellect, and the degree to which she suffers isolation because of her mind, his understanding grows in regard to the woman he loves, and women in general. This is a coming-of-age story. Levy is twenty five, beautiful, gifted with women, and stuck. He's unhappy and unsure of himself.Watt, gravely ill but persevering at the unlocking of the mystery of Ester, also examines her own life, with a lengthy flashback to when she was a young woman in love. Her fear of that love shaped her entire life, and it's only at the end and through her work with Levy that she achieves clarity in this regard.So, good character arcs, incredibly rich historical details, lots of good in this book, but overall, too long, opaque, and subtle for me. My apologies to the author, who must be a gifted scholar herself to have completed this work.

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The Weight of Ink, by Rachel Kadish PDF
The Weight of Ink, by Rachel Kadish PDF